Last Friday night, Australian dance music queen Alison Wonderland launched her eclectic look at the genre at the Red Rocks Amphitheater. Like most EDM shows at Red Rocks, the opening talent included DJ LMN and DJ Garth (although they should only play one song, but we'll get to that), John Casey, 1788-L, and flawless Valentino Hahn. . Varies in size and style. As fun as the opening act is , nothing can match Alison Wonderland, who uses live instruments and performs at Temple of Wonders. Even though he was an hour late because the tour bus broke down, every artist kept his mood high and the bass low.
The immersive sense of cyberpunk technology the 1788-L brings to Red Rocks is as energetic as a hallucination. The array resounds with computerized beeps and fake frequencies through the crowd, artistic bass waves and intelligent instrument music crashing against the rock with constant speed and relentless urgency, never showing any sign of fatigue or composure.
Valentino Khan introduces his traditional dubstep style with drum and bass variations, deep house and headshots. Exploring nearly every style that modern electronic music has to offer, the Los Angeles-based producer entertains audiences with an endless lineup of contemporary songs, from Ludachris' "How Low" and Drake's "Too Sexy" to Michael Jackson's "Thriller". Josh too. Turner "Your Man". You never know what will happen next, and for about an hour, Valentino Khan set the energy and expectations of the audience with an incredible display of his DJ skills. It was a great party.
Before Alison Wonderland took the stage, he invited DJ LMN and DJ Garth, who couldn't perform in their opening group due to the Alison Wonderland tour bus breaking down on the way to the venue, to play a song for each of them. This is partly the reason for Alison Wonderland to hide behind an overhead projector and experiment with spotlights and neon lights while enjoying the attention of her friends. He enjoyed dancing in the sound/light booth before starting his original work.
What makes Alison Wonderland so special is her outspoken style in the electronic dance music genre. He didn't just recruit the band, he was a part of it. Whether he pops in front of an audience behind front door drums or plays the cello stage to accompany one of his many songs throughout the night, his bass and modern sound in electronic dance music has a unique and classic element. They are not equal. in the branch.
The Temple of Wonders experience is exactly what you need - an experience. There's definitely a healthy mix of visuals, a slightly sinister cult vibe, psychedelic churches, and lightning in the clouds on a giant fullscreen. However, the real magic is hidden behind the scenes: the drummer's house and the little chord sections that help make each song a unique live element that brings Alison Wonderland's music to life and breath.
While this isn't Alison Wonderland's first time at Red Rocks, it's a special moment for her and her team. He puts all his energy into dancing, jumping and singing all night long, rarely stopping behind a CDJ, and so does the audience. Of course, he performed his own songs such as "Church" and "I Want You" as well as songs from his latest album " Loner ". Luckily, he also finds time to play classic hip-hop tunes like Dead Prez's "Hip Hop" and Nikki Manage's legendary poem "Monster", giving the audience plenty of opportunities to sing and rap together.
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Electronic music doesn't have to be about computer sounds. While artists like GRiZ and SoDown bring the saxophone to the party, Alison Wonderland takes a more classic approach and the effects are hilarious and downright fun. The Temple of Wonders is a beautiful place to be creative in all its artistic aspects, with spectators turning into a chorus and rows of red stones into a pulpit.
All photos by Kiddest Metaferia
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